Merche Blasco is a multimedia artist and composer based in New York.
She designs and builds imprecise technological assemblages that catalyze embodied forms of live electroacoustic composition and new modes of listening. Through her constructed devices, Blasco attempts to establish a more horizontal relationship with other entities, distancing herself from parameters of precision, power, and control. As an alternative form of performance, she engineers collaborative spaces with instruments that are given their own agency, in compositions where her body and the live exploration of organic materials are central elements.
She has presented her performances and installations at the Whitney Museum of American Art, Sonar Festival in Barcelona, La Biennale di Venezia, NIME conferences, Tsonami International Sound Art Festival in Chile, The High Line in New York, SONIC Festival, Mapping Festival (Geneva), Queens Museum of Art and the Museum of Contemporary Art in Santiago de Chile, among others. Her work has been featured in The New York Times, The Wall Street Journal, and The Wire magazine.
Blasco is currently a Ph.D. Candidate in music composition at New York University (GSAS).